Mariana Sits on "The Complete Photographer, An Encyclopedia of Photography" (1949), Volume 6, Pages 2178-79, 'Best Fashion Study and Best Action Production Still Taken in a Studio', 2018. Archival pigment print, 26 x 21.75 inches.

Parts of Some Quartet, Fruits

March 24, 2018–May 13, 2018
Reception: Saturday March 24, 6–9pm

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Jenna Westra uses the body to reimagine The Set as a framework that activates the performers within it, transforming accidental or chance movements into intentional, choreographed actions for the camera. Taking aesthetic cues from performance documentation, her work invites the viewer to re-examine their role and active participation in image consumption.

Relying on the fundamental, immanent traits of analog photography, Westra exploits the formal elements of the medium to create delicate and subtle compositions extracted from the intentional events she creates. A quartet of non professional models and fruit props fill photographs suggesting moments of intimacy and play, while also reminding us of the ongoing negotiation and exchange present in the acts of performing, directing, documenting.

Made in conjunction with the new photographs, Lubov will present a new 16mm film as part of the exhibition.?In this alternate format, Westra applies her compositional devices to filmmaking through the introduction of a temporal element, releasing the subjects from the deadpan tone of her still images. This durational component reveals a partial experience of what happens in front of her camera.

The photographs of Parts of Some Quartet, Fruits become a constellation of seemingly separate events, a fa?ade achieved through the use of various lighting techniques and multiple colored backdrops. Meticulous cropping, selecting, and rotating are tools that join a structural narrative together with a loosely held emphasis on the physical traits of photographic media. An anxiety surrounding what it means to both be observed and to be complicit in an an act of observation is pervasive. If pointing a camera is an expression of desire, is it also inherently an act of exercising power? If so, it is our collective responsibility to reclaim the pleasure of looking.

Jenna Westra (Hunter MFA '15) is a New York based artist working in photography and film. She has exhibited in New York at Hercules, Lubov, Thomas Hunter Projects, Underdonk and Silver Projects (solo), in Los Angeles at Tiger Strikes Asteroid, and in Boston at The Institute for Contemporary Art and Gallery Kayafas, among others. Her work has been published or reviewed in the New York Times, The Boston Globe, Camera Austria, Nicotine Magazine, Papersafe, Bomb Magazine, and Hunted, a series of booklets produced by the Artists' Institute. Most recently, Hassla published a book of her work, Atlas, presented at NADA New York 2018 along with a selection of new photographs. She will present a solo exhibition at fourseasons Berlin in June 2018. Jenna is currently artist-in-residence at Hercules Art/Studio Program.


The New Yorker: Goings On About Town • Link PDF
The New York Times: 10 Galleries to Visit Now Around SoHo and TriBeCa by Jason Farago • Link PDF
Wall Street International Magazine: New Photography: Jenna Westra by Sarah Corona • Link PDF
Alt: Part of Some Quartet, Fruits • Link PDF
Tribeca Citizen: Seen & Heard by Erik Torkells • Link PDF
Bedford + Bowery: Art Hearts: Choreographed Photos, Experiments In Light, and More Art This Week by Cassidy Dawn Graves • Link PDF

Installation view.

Installation view.

Installation view.

Lemon Scream, 2018. Archival pigment print. 10 x 8 inches.

Parts of Some Quartet 1, 2018. Archival pigment print. 20 x 16 inches.

Hand Squeezing Lemon into Open Mouth, Onlooker (Greyscale), 2018. Gelatin silver print. 30 x 24 inches.

Fruits (still), 2018. 16mm transfer to HD video (b&w/color, silent) 4:48 mins.

Mariana Sits on "The Complete Photographer, An Encyclopedia of Photography" (1949), Volume 6, Pages 2178-79, 'Best Fashion Study and Best Action Production Still Taken in a Studio', 2018. Archival pigment print. 26 x 21.75 inches.

Duo with Halved Melon, Pink Paper, 2018. Archival pigment print. 21 x 28 inches.